Picture – wolfgang kschwendt

September 29, 2022

Woods Two

Painting - "now how" - Wolfgang Kschwendt

Have a closer look

„Tänzer 2 (Dancer 2)“, mixed media on wood, 60 x 50 x 3 cm, 2022

Wolfgang Kschwendt: „Tänzer 1 (Dancer 1)“, mixed media on wood, 60 x 50 x 3 cm, 2022

“The report of just now”, mixed media on wood, 50 x 40 x 3 cm, 2022

“Das Gelbe (The yellow one)”, mixed media on wood, 30 x 25 x 3 cm, 2022

“Das Gelbe (The yellow one)”, mixed media on wood, 30 x 25 x 3 cm, 2022

„Triplet 1 (weil wir)“, mixed media on wood, 30 x 25 x 3 cm, 2022 (private property)

„Triplet 2“, mixed media on wood, 30 x 25 x 3 cm, 2022

„Triplet 3“, mixed media on wood, 30 x 25 x 3 cm, 2022

“One question”, mixed media on wood, 30 x 25 x 3 cm, 2022

Exhibition view “The Report Of Just Now”, @viktoria wien, 2022

“Flyer”, mixed media on wood, 40 x 30 x 3 cm, 2022

“Für wie lange eigentlich (For how long actually)“, mixed media on wood, 40 x 30 x 3 cm, 2022

“Blaupause (Blueprint)“, mixed media on wood, 50 x 40 x 3 cm, 2021

“Nebel der fast jeden Morgen fiel (Fog that fell almost every morning)”, mixed media on wood, 50 x 40 x 3 cm, 2022

“Während ich sitze und warte (While I sit and wait)”, mixed media on wood, 60 x 50 x 3 cm, 2021

“Submarine Voyage”, mixed media on wood, 60 x 40 x 3 cm, 2022 (private property)

“now how” – 50 x 40 cm, coloured ink, colour pencil, oilpastel, varnish on wood – 2022

“Befreit von allen Sorgen (free from all sorrows)” – 50 x 40 cm – oilpastel, coloured ink, colour pencil, wood – 2022 (private property)

Wolfgang Kschwendt: “ssah”, 60x 50 cm, mixed media on wood – 2021 (private property)

“farnmor (äugt verrät kein sterbenswort)”, 60 x 45 cm, oilpastel, ink, paint, colour pencil, varnish, wood – 2020 (private property)

Wolfgang Kschwendt: “farnmor (äugt verrät kein sterbenswort)”, 60 x 45 cm, oilcrayon, ink, paint, coloured pencil, wood – 2020 (private property)

„Am Lichtungsrand“, 60 x 50 cm, mixed media on wood, 2020

Wolfgang Kschwendt: “Die Koffer voll mit Rotem Meer”, 60x 45 cm, mixed media on wood – 2021

“Im Feld mit Bedacht (With caution in the field)” – mixed media on wood, 60 x 40 cm – 2019

“Kühle Küste Alltagsbrausen”, 60 x 50 cm, oilpastel, ink, acrylic, marker, wood – 2018 (private property)

„Gefühlte Vibrationen“ (Felt Vibrations), 60 x 40 cm, mixed media on wood, 2015 (private property)

„Wondering In A Wild Range (Wild Wood)“, 60 x 40 cm, mixed media on wood, 2016

„We Are Looking Forward To The Normal Stuff“, 60 x 40 cm, mixed media on wood, 2016 (private property)

„Between All Clusters“, 60 x 40 cm, mixed media on wood, 2016

#series #acrylic #marker #colouredpencil #colouredink #oilcrayon #woodpanel #wolfgangkschwendt

Woods One

May 18, 2020

Warten Auf Zwingende Angebote

Waiting for Compelling Offers

For once not wildly into adventure, but via a guided climb. An exercise first, a sport, a jump into the open at some point. I start by repeating the first picture and turn as I like. Does this point come sooner or later, and where do I stop?

Einmal nicht wild ins Abenteuer, sondern über einen geführten Steig. Eine Übung zuerst, ein Sport, ein Absprung irgendwann ins Freie. Ich beginne mit der Wiederholung des ersten Bildes und biege ab, wie es mir gefällt. Kommt dieser Punkt früher oder später, und wo höre ich auf?

„Care Don’t Care Love Every Line“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020

„A Little Cope A Little Escape“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020

“Warten Auf Zwingende Angebote (Waiting For Compelling Offers)”, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020

„Ended With Good Winter“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020

„Zwischendurch hört man Meisen (In Between You Can Hear Titmice)“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020

„Hier, an diesem Punkt, ist die Dringlichkeit am größten (Here At This Point The Urgency Is Greatest)“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020

Series „Warten Auf Zwingende Angebote (Waiting for Compelling Offers)“ Part 1 – 6, each 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020

„Warten Auf Zwingende Angebote (Waiting for Compelling Offers)“
Part 1 – 6, 2020, je 50 x 65 cm, Marker, Graphit, Buntstift auf 615g Bristol Karton

Von links oben nach rechts unten:
Teil 1: “Care Don’t Care Love Every Line” Teil 2: „A Little Cope A Little Escape” Teil 3: “Warten Auf Zwingende Angebote” Teil 4: “Ended With Good Winter” Teil 5: „Zwischendurch hört man Meisen“ Teil 6: „Hier, an diesem Punkt, ist die Dringlichkeit am größten“

#drawing #abstract #marker #oilcrayons #pencil #coloredpencil #score #notation #series #cardboard #contemporaryart #rhythm #artist #graphic #grayscale #blackandwhite #minimalism #abstractart #handwriting #comic #dada #poetry #zeichnung #wolfgangkschwendt #vienna #Ilovemyjob

April 5, 2019

Feigenstatus

Status of the Fig (if you will)

#workinprogress #wolfgangkschwendt #drawing #crayons #oilcrayons #marker #modernart #abstract #visualpoetry #spontaneousinventions #Ilovemyjob

September 13, 2017

Crossing Almkanal

Time and Colour

Eine Übung in Farbe und Zeit, Dokumentation der Regelmäßigkeit. Auf meinem Weg von und zur Arbeit in die Malerei bei den Salzburger Festspielen, nahm ich über zwei Monate, jedes Mal, wenn ich ihn überquerte, immer dasselbe Detail des Almkanals auf, der vor meiner Haustüre vorbeifloss, und postete es auf Instagram und Facebook.

An exercise about time and color, a documentation of regularity. On my way to and from work as a painter at the Salzburg Festival I took pictures of always the same detail of the Almkanal, a small canal I had to cross and posted in on Instagram and Facebook.

July 13, 2016

Rein wissenschaftlich

Purely Scientific

„GADGETY“, mixed media on cardboard, 50 x 25 cm, 2011

„There were rumours “, mixed media on cardboard, 50 x 25 cm, 2011

„I have no arguements“, mixed media on cardboard, 50 x 25 cm, 2011

“Where People Live” – pencil on cardboard – 50 x 20 cm – 2014

„And Comes For A Break“, pencil and graphite on cardboard, 50 x 40 cm, 2015

„Rein Wissenschaftlich“ (Purely Scientific), pencil on cardboard, 50 x 40 cm, 2015

„Make Believe“, pencil and graphite on cardboard, 50 x 40 cm, 2015

„Auf der Suche nach Mike Davis (In Search of Mike Davis)“, pencil and graphite on cardboard, 50 x 40 cm, 2021

“Etwas, das glitzert (Something That Glitters)” – pencil on cardboard, 50 x 40 cm, 2015

“Der Weggang (The Go-away)” – pencil on cardboard, 50 x 40 cm, 2015

“Wesentlich sind die Protago (What’s essential is the protago)” – Pencil on cardboard, 50 x 40 cm, 2015

„Under Water Mornings“, mixed media on cardboard, 50 x 40 cm, 2016

#drawing #abstract #pencil #score #notation #series #cardboard #contemporaryart #rhythm #artist #graphic #grayscale #blackandwhite #minimalism #abstractart #handwriting #comic #dada #poetry #zeichnung #wolfgangkschwendt #vienna #Ilovemyjob

March 30, 2016

Eva D.s Wohnzimmer

Singing and Talking

Pigeon ride. A more or less improvised Dada love song.

Drawings in rough notation/grober Notation.

→ Diese Grobe Notation (This Rough Notation)

#drawing #abstract #pencil #score #notation #series #cardboard #contemporaryart #rhythm #artist #graphic #grayscale #blackandwhite #minimalism #abstractart #handwriting #comic #dada #poetry #zeichnung #wolfgangkschwendt #vienna #Ilovemyjob

August 13, 2015

Diese grobe Notation

This Rough Notation

„Maschinentreue“, pencil on cardboard, DIN A4, 2016

„Duck Music“, pencil on cardboard, DIN A4, 2016

„Jump In A Line“, coloured ink and pencil on cardboard, DIN A4, 2015

„Ein Land Vor“ (A Country Before), pencil on cardboard, DIN A4, 2016

„Ein Hunderttausendstel Millimeter Ein Tropfen“ (One Hundred Thousandths Of A Millimeter A Drop), pencil on cardboard, DIN A4, 2016

“Diese Grobe Notation”, pencil on cardboard, DIN A4, 2016

“Der Vermeintliche Algorithmus” (The Supposed Algorithm), pencil on cardboard, DIN A4, 2016

„Der beginnende Wirbel“ (The Beginning Turmoil), pencil on cardboard, DIN A4, 2016

“Fish” – marker on cardboard, DIN A4, 2016

#series #pencil #cardboard #handwriting #poetry #dada #wolfgangkschwendt #Ilovemyjob

January 14, 2013

Come With Me Every Day

Have a look

“This Sea” – 50 x 65 cm, ink and marker on cardboard, 2012

“Chemistry (They were saying)” – 50 x 40 cm, 2012

“This Then That’s Why” – 50 x 60 cm, 2011

“The Okavango Last Summer Today” – 50 x 40 cm, coloured ink and pencil, 2014

“Tankstop” – 50 x 40 cm, graphite on cardboard, 2011

“GADGETY” – 50 x 25 cm, mixed media on cardboard, 2011

“A Pimp In a Row Is a Pimp In a Row” – 60 x 50 cm, pencil and marker on cardboard, 2011

“A Number of 13 (Blind Recovery) – 50 x 40 cm, coloured ink on cardboard, 2011 – (private property)

#series #colouredink #marker #pencil #cardboard #handwriting #poetry #dada

September 14, 2012

Das Schöne An Der Mittelbarkeit

The nice thing about indirectness

No 20120113 [002] – DIN A4, pencil on paper

No 20120113 [001] (In The First) – DIN A4, pencil on paper

No 20120112 [003] – DIN A4, pencil on paper

No 20120112 [001] (Zu Keiner Anderen Zeit / At No Other Time) – DIN A4, pencil on paper

No 20120110 [002] – DIN A4, pencil on paper

No 20120110 [001] – DIN A4, pencil on paper

No 20120109 [001] (Ich Brauch Schon Die Angst / I Do Need The Fear All Right) – DIN A4, pencil on paper

No 20120108 [005] (The Fifth In A Line Of Sketches) – DINA4, pencil on paper

No 20120108 [004] (The Fourth In A Line Of Sketches) – DINA4, pencil on paper

No 20120108 [003] (The Third One In A Line Of Sketches) – DINA4, pencil on paper

No 20120108 [002] (The Second In A Line Of Sketches) – DINA4, pencil on paper

No 20120108 [001] (The First One In A Line Of Sketches) – DINA4, pencil on paper

No 20120107 [009] (It Is) – DINA4, pencil on paper

No 20120107 [007] (Prunilla Games) – DINA4, pencil on paper

No 20120107 [006] (In Einer Vielzahl Von Formen) – DINA4, pencil and coloured pen on paper

No 20120107 [005] (Circumstances) – DINA4, pencil and coloured pen on paper

#series #pencil #colouredpen #DINA4 #handwriting #poetry #dada #wolfgangkschwendt

June 14, 2008

Moderne Architektur

Modern Architecture

No 20080318 [001] (Moderne Architektur / Modern Architecture) – DIN A4, pen on paper

No 20080318 [002] (Fliegende / Flying) – DIN A4, pen on paper

No 20080318 [003] (Cut-Leave-Promise) – DIN A4, pen and coloured pencil on paper

No 20080318 [004] (Unterhaltung / Entertainment) – DIN A4, pen on paper

No 20080318 [005] – DINA4, pen on paper

No 20080318 [006] – DIN A4, pen on paper

No 20080318 [007] – DIN A4, pen on paper

No 20080318 [008] (Sort Of Whistle Son Of Gold) – DIN A4, pen, marker and coloured pencil on paper

No 20080318 [009] (What Does It Mean To Be Free) – DIN A4, marker on paper

No 20080318 [011] (Tibet) – DIN A4, pen on paper

No 20080322 [001] (Friedvolle Halbvolle / Peaceful Half Full) – DIN A4, pen and marker on paper

No 20080323 [001] (Sonntag / Sunday) – DIN A4, pen on paper

No 20080324 [002] (work-bio-home) – DIN A4, graphite on paper

No 20080324 [003] (Sonnenmilch / Sun Milk) – DIN A4, marker and coloured pencil on paper

No 20080324 [004] (To) – DIN A4, marker, pen and pencil on paper

No 20080326 [001] (Beein) – DIN A4, graphite and pencil on paper

#series #ballpointpen #DINA4 #handwriting #poetry #dada #wolfgangkschwendt

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Newsletter

Woods Two

Warten Auf Zwingende Angebote

Feigenstatus

Crossing Almkanal

Rein wissenschaftlich

Eva D.s Wohnzimmer

Diese grobe Notation

Come With Me Every Day

Das Schöne An Der Mittelbarkeit

Moderne Architektur

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