- Have a closer look
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- “bleibt (Ich könnte) / remains (I might)” – mixed media on wood 40 x 30 x 3 cm, 2024
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- Studio view: “bleibt (Ich könnte) / remains (I might)” – mixed media on wood 30 x 40 x 3 cm, 2024
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- Studio view: “bleibt (Ich könnte) / remains (I might)” – mixed media on wood 30 x 40 x 3 cm, 2024
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- „Der sorgfältige Drilling (The careful triplet)“ – mixed media on wood 60 x 40 x 3 cm, 2023
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- „Der unbekümmerte Drilling (The carefree triplet)“ – mixed media on wood 60 x 40 x 3 cm, 2023
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- „Der lautstarke Drilling (The loud triplet)“ – mixed media on wood 60 x 40 x 3 cm, 2023
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- „Der vierte Drilling (The fourth triplet)“ – mixed media on wood 60 x 40 x 3 cm, 2024
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- “weiß (white)” – mixed media on wood 30 x 40 x 3 cm, 2023
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- Exhibition view: “weiß (white)” – mixed media on wood 30 x 40 x 3 cm, 2023
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- Studio view: „Das heimliche Zuhause (The secret home)“, 40 x 30 cm, Mischtechnik auf Holz, 2023 (private property)
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- „Ganz andere Ebene“, mixed media on wood, 60 x 30 cm, 2023
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- „Ich denke dran (I think of it)“, mixed media on wood, 60 x 50 cm, 2022
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- “Hilderform”, mixed media on wood, 60 x 45 cm, 2023 | → Woods II
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- “Hilderform”, mixed media on wood, 60 x 45 cm, 2023
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- „Tänzer 2 (Dancer 2)“, mixed media on wood, 60 x 50 x 3 cm, 2022
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- Wolfgang Kschwendt: „Tänzer 1 (Dancer 1)“, mixed media on wood, 60 x 50 x 3 cm, 2022
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- “The report of just now”, mixed media on wood, 50 x 40 x 3 cm, 2022
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- “Das Gelbe (The yellow one)”, mixed media on wood, 30 x 25 x 3 cm, 2022
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- “Das Gelbe (The yellow one)”, mixed media on wood, 30 x 25 x 3 cm, 2022
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- „Triplet 1 (weil wir)“, mixed media on wood, 30 x 25 x 3 cm, 2022 (private property)
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- „Triplet 2“, mixed media on wood, 30 x 25 x 3 cm, 2022 (private property)
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- „Triplet 3“, mixed media on wood, 30 x 25 x 3 cm, 2022
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- Exhibition view “The Report Of Just Now”, @viktoria wien, 2022
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- “Flyer”, mixed media on wood, 40 x 30 x 3 cm, 2022
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- “Für wie lange eigentlich (For how long actually)“, mixed media on wood, 40 x 30 x 3 cm, 2022 (private property)
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- “Blaupause (Blueprint)“, mixed media on wood, 50 x 40 x 3 cm, 2021
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- “Nebel der fast jeden Morgen fiel (Fog that fell almost every morning)”, mixed media on wood, 50 x 40 x 3 cm, 2022
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- “Während ich sitze und warte (While I sit and wait)”, mixed media on wood, 60 x 50 x 3 cm, 2021
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- “Submarine Voyage”, mixed media on wood, 60 x 40 x 3 cm, 2022 (private property)
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- “now how” – 50 x 40 cm, coloured ink, colour pencil, oilpastel, varnish on wood – 2022
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- “Befreit von allen Sorgen (free from all sorrows)” – 50 x 40 cm – oilpastel, coloured ink, colour pencil, wood – 2022 (private property)
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- „Wohinaus treibt es mich“, mixed media on wood, 60 x 45 cm, 2020
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- Wolfgang Kschwendt: “ssah”, 60x 50 cm, mixed media on wood – 2021 (private property)
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- “farnmor (äugt verrät kein sterbenswort)”, 60 x 45 cm, oilpastel, ink, paint, colour pencil, varnish, wood – 2020 (private property)
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- Wolfgang Kschwendt: “farnmor (äugt verrät kein sterbenswort)”, 60 x 45 cm, oilcrayon, ink, paint, coloured pencil, wood – 2020 (private property)
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- „Am Lichtungsrand“, 60 x 50 cm, mixed media on wood, 2020
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- Wolfgang Kschwendt: “Die Koffer voll mit Rotem Meer”, 60x 45 cm, mixed media on wood – 2021
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- “Im Feld mit Bedacht (With caution in the field)” – mixed media on wood, 60 x 40 cm – 2019 | → Art Shop
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- “Kühle Küste Alltagsbrausen”, 60 x 50 cm, oilpastel, ink, acrylic, marker, wood – 2018 (private property)
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- „Gefühlte Vibrationen“ (Felt Vibrations), 60 x 40 cm, mixed media on wood, 2015 (private property)
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- „Wondering In A Wild Range (Wild Wood)“, 60 x 40 cm, mixed media on wood, 2016
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- „We Are Looking Forward To The Normal Stuff“, 60 x 40 cm, mixed media on wood, 2016 (private property)
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- „Between All Clusters“, 60 x 40 cm, mixed media on wood, 2016
#series #acrylic #marker #colouredpencil #colouredink #oilcrayon #woodpanel #wolfgangkschwendt
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Arbeiten auf Leinwand
- Canvas work
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- „Strutt“, mixed media, canvas, 115 x 100 cm, 2016
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- „Strutt“, mixed media, canvas, 115 x 100 cm, 2016
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- Exhibition view “The Report Of Just Now” – 2022
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- “Outside the City”, mixed media on canvas, 60 x 40 cm, 2016
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- „Schwarzer Schwung“ Tusche, Marker, Leinwand, 60 x 40 cm, 2016
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- Exhibition view “The Report Of Just Now” – 2022
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- „Square 1 (Drop in at the Square)“ , mixed media on canvas, 50 x50 cm, 2022
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- Wolfgang Kschwendt: „Square 2 (At the Square)“, mixed media on canvas, 50 x 50 cm, 2022
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- „Square 3 (Leave the Square)“ mixed media, canvas, 50 x 50 cm, 2022
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- „Square 2 (At the Square)“ mixed media on canvas, 50 x 50 cm, 2022
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- „Square 3 (Leave the Square)“ mixed media on canvas, 50 x 50 cm, 2022
#series #acrylic #marker #colouredink #wolfgangkschwendt #Ilovemyjob
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Warten Auf Zwingende Angebote
- Waiting for Compelling Offers
For once not wildly into adventure, but via a guided climb. An exercise first, a sport, a jump into the open at some point. I start by repeating the first picture and turn as I like. Does this point come sooner or later, and where do I stop?
Einmal nicht wild ins Abenteuer, sondern über einen geführten Steig. Eine Übung zuerst, ein Sport, ein Absprung irgendwann ins Freie. Ich beginne mit der Wiederholung des ersten Bildes und biege ab, wie es mir gefällt. Kommt dieser Punkt früher oder später, und wo höre ich auf?
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- „Care Don’t Care Love Every Line“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020
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- „A Little Cope A Little Escape“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020
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- “Warten Auf Zwingende Angebote (Waiting For Compelling Offers)”, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020
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- „Ended With Good Winter“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020
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- „Zwischendurch hört man Meisen (In Between You Can Hear Titmice)“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020
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- „Hier, an diesem Punkt, ist die Dringlichkeit am größten (Here At This Point The Urgency Is Greatest)“, 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020
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- Series „Warten Auf Zwingende Angebote (Waiting for Compelling Offers)“ Part 1 – 6, each 50 x 65 cm, marker, graphite, coloured pencil on 615g Bristol board, 2020
„Warten Auf Zwingende Angebote (Waiting for Compelling Offers)“
Part 1 – 6, 2020, je 65 x 50 cm, Marker, Graphit, Buntstift auf 615g Bristol KartonVon links oben nach rechts unten:
Teil 1: “Care Don’t Care Love Every Line” Teil 2: „A Little Cope A Little Escape” Teil 3: “Warten Auf Zwingende Angebote” Teil 4: “Ended With Good Winter” Teil 5: „Zwischendurch hört man Meisen“ Teil 6: „Hier, an diesem Punkt, ist die Dringlichkeit am größten“#drawing #abstract #marker #oilcrayons #pencil #coloredpencil #score #notation #series #cardboard #contemporaryart #rhythm #artist #graphic #grayscale #blackandwhite #minimalism #abstractart #handwriting #comic #dada #poetry #zeichnung #wolfgangkschwendt #vienna #Ilovemyjob
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Feigenstatus
- Status of the Fig (if you will)
#workinprogress #wolfgangkschwendt #drawing #crayons #oilcrayons #marker #modernart #abstract #visualpoetry #spontaneousinventions #Ilovemyjob
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Crossing Almkanal
- Time and Colour
Eine Übung in Farbe und Zeit, Dokumentation der Regelmäßigkeit. Auf meinem Weg von und zur Arbeit in die Malerei bei den Salzburger Festspielen, nahm ich über zwei Monate, jedes Mal, wenn ich ihn überquerte, immer dasselbe Detail des Almkanals auf, der vor meiner Haustüre vorbeifloss, und postete es auf Instagram und Facebook.
An exercise about time and color, a documentation of regularity. On my way to and from work as a painter at the Salzburg Festival I took pictures of always the same detail of the Almkanal, a small canal I had to cross and posted in on Instagram and Facebook.
Rein wissenschaftlich
- Purely Scientific
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- „GADGETY“, mixed media on cardboard, 50 x 25 cm, 2011
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- „There were rumours “, mixed media on cardboard, 50 x 25 cm, 2011
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- „I have no arguements“, mixed media on cardboard, 50 x 25 cm, 2011
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- “Where People Live” – pencil on cardboard – 50 x 20 cm – 2014
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- „And Comes For A Break“, pencil and graphite on cardboard, 50 x 40 cm, 2015
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- „Rein Wissenschaftlich“ (Purely Scientific), pencil on cardboard, 50 x 40 cm, 2015
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- „Make Believe“, pencil and graphite on cardboard, 50 x 40 cm, 2015
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- „Auf der Suche nach Mike Davis (In Search of Mike Davis)“, pencil and graphite on cardboard, 50 x 40 cm, 2021
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- “Etwas, das glitzert (Something That Glitters)” – pencil on cardboard, 50 x 40 cm, 2015
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- “Der Weggang (The Go-away)” – pencil on cardboard, 50 x 40 cm, 2015
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- “Wesentlich sind die Protago (What’s essential is the protago)” – Pencil on cardboard, 50 x 40 cm, 2015
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- „Under Water Mornings“, mixed media on cardboard, 50 x 40 cm, 2016
#drawing #abstract #pencil #score #notation #series #cardboard #contemporaryart #rhythm #artist #graphic #grayscale #blackandwhite #minimalism #abstractart #handwriting #comic #dada #poetry #zeichnung #wolfgangkschwendt #vienna #Ilovemyjob
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Eva D.s Wohnzimmer
- Singing and Talking
Pigeon ride. A more or less improvised Dada love song.
Drawings in rough notation/grober Notation.
→ Diese Grobe Notation (This Rough Notation)
#drawing #abstract #pencil #score #notation #series #cardboard #contemporaryart #rhythm #artist #graphic #grayscale #blackandwhite #minimalism #abstractart #handwriting #comic #dada #poetry #zeichnung #wolfgangkschwendt #vienna #Ilovemyjob
Diese grobe Notation
- This Rough Notation
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- „Maschinentreue“, pencil on cardboard, DIN A4, 2016
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- „Duck Music“, pencil on cardboard, DIN A4, 2016 (Private property)
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- „Jump In A Line“, coloured ink and pencil on cardboard, DIN A4, 2015
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- „Ein Land Vor“ (A Country Before), pencil on cardboard, DIN A4, 2016
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- „Ein Hunderttausendstel Millimeter Ein Tropfen“ (One Hundred Thousandths Of A Millimeter A Drop), pencil on cardboard, DIN A4, 2016
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- “Diese Grobe Notation”, pencil on cardboard, DIN A4, 2016 (Private property)
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- “Der Vermeintliche Algorithmus” (The Supposed Algorithm), pencil on cardboard, DIN A4, 2016
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- „Der beginnende Wirbel“ (The Beginning Turmoil), pencil on cardboard, DIN A4, 2016 (Private property)
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- “Fish” – marker on cardboard, DIN A4, 2016
#series #pencil #cardboard #handwriting #poetry #dada #wolfgangkschwendt #Ilovemyjob
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Come With Me Every Day
- Have a look
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- “This Sea” – 50 x 65 cm, ink and marker on cardboard, 2012
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- “Chemistry (They were saying)” – 50 x 40 cm, 2012
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- “This Then That’s Why” – 50 x 60 cm, 2011
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- “The Okavango Last Summer Today” – 50 x 40 cm, coloured ink and pencil, 2014
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- “Tankstop” – 50 x 40 cm, graphite on cardboard, 2011
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- “GADGETY” – 50 x 25 cm, mixed media on cardboard, 2011
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- “A Pimp In a Row Is a Pimp In a Row” – 60 x 50 cm, pencil and marker on cardboard, 2011
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- “A Number of 13 (Blind Recovery) – 50 x 40 cm, coloured ink on cardboard, 2011 – (private property)
#series #colouredink #marker #pencil #cardboard #handwriting #poetry #dada
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Das Schöne An Der Mittelbarkeit
- The nice thing about indirectness
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- No 20120113 [002] – DIN A4, pencil on paper
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- No 20120113 [001] (In The First) – DIN A4, pencil on paper
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- No 20120112 [003] – DIN A4, pencil on paper
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- No 20120112 [001] (Zu Keiner Anderen Zeit / At No Other Time) – DIN A4, pencil on paper
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- No 20120110 [002] – DIN A4, pencil on paper
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- No 20120110 [001] – DIN A4, pencil on paper
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- No 20120109 [001] (Ich Brauch Schon Die Angst / I Do Need The Fear All Right) – DIN A4, pencil on paper
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- No 20120108 [005] (The Fifth In A Line Of Sketches) – DINA4, pencil on paper
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- No 20120108 [004] (The Fourth In A Line Of Sketches) – DINA4, pencil on paper
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- No 20120108 [003] (The Third One In A Line Of Sketches) – DINA4, pencil on paper
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- No 20120108 [002] (The Second In A Line Of Sketches) – DINA4, pencil on paper – (private property)
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- No 20120108 [001] (The First One In A Line Of Sketches) – DINA4, pencil on paper
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- No 20120107 [009] (It Is) – DINA4, pencil on paper
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- No 20120107 [007] (Prunilla Games) – DINA4, pencil on paper
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- No 20120107 [006] (In Einer Vielzahl Von Formen) – DINA4, pencil and coloured pen on paper
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- No 20120107 [005] (Circumstances) – DINA4, pencil and coloured pen on paper
#series #pencil #colouredpen #DINA4 #handwriting #poetry #dada #wolfgangkschwendt
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